through March 9, 2014
The Moving Image Art Fair is located in Chelsea at the Waterfront Tunnel on 11th and 28th Street in NYC
FREE and open to the public11 AM –8 PM Thursday through Saturday and 11 AM – 4 PM on Sunday.
For an appointment, please email firstname.lastname@example.org
An opening reception with the artists will be held at Moving Image on Thursday, March 6 from 6 – 8 PM.
Saturday March 8, 7 PM – 11 PM
Join us for the first show of our second year of programming as we celebrate the opening of The internet of my dreams, a solo exhibition by Anthony Antonellis.
SCRAP: Rayon is the latest set of animations in Lorna Mills’s ongoing SCRAP series. Based on scans of printed textiles, the images are distorted with Bezier curves, bending them with motions that mimic bodily rhythms. Intentionally pixelated and defined by a chunky digital aesthetic, these animations track their making with the visible nodes and anchors of the digital imaging tools plainly in sight.
Mills makes animated gifs with an emphasis on cacophony and rhythmic movement pushed to a variety of extremes. Ravingly formal but dissonant, her collage work sometimes skirts the boundaries of what the eye can passively handle before it actively seeks out patterns and resolution.
Lorna Mills (Canadian) has actively exhibited her work internationally in both solo and group exhibitions since the early 1990’s. Her practice has included obsessive Ilfochrome printing, obsessive painting, obsessive super 8 film & video, and obsessive on-line animated GIFs incorporated into restrained off-line installation work.
Wave is a new work from Rollin Leonard (inspired by the artist’s attempts to teach himself to float in water) depicting the body under the constraints of a strictly limited system. The system itself has been obscured, leaving the body — whose dimensions we innately understand — to act as a way of depicting that system. The system is described by its effects, rather than by its rules. The body acts as an instrument for depiction, instead of as the object of depiction.
As in much of his work, the artist uses bodies as a way of ascribing agency to less-human objects and ideas. “The ocean is the furthest from easy personification,” says Leonard. “I never understand why people talk about the ocean as a ‘her’ with a specific temper. The analogies are really thin. It is just an elemental force — completely unfeeling.”
Rollin Leonard (American, 1984) lives and works in Portland, Maine where he maintains a photography and production studio. He has shown large scale video installations, photographic prints, and web based work since 2004. His medium varies but his conceptual approach is consistent – projecting the logic, meaning, or pattern from one domain into another, often using the human body as a vehicle to do so. Leonard earned a BA in Philosophy and a BA in Painting from the University of Minnesota in 2007.
Animated GIF preview of Wave by Rollin Leonard.
TRANSFER is an exhibition space that explores the friction between networked practice and its physical instantiation.
The gallery supports artists working with computer-based practices to realize aggressive installation projects within our walls.
Viewings are also available by appointment with email@example.com
Additional gallery hours may be held for specific shows. Refer to the exhibition pages for details.
TRANSFER is located in East Williamsburg, Brooklyn near the intersection of Metropolitan and Morgan.
1030 Metropolitan Ave Brooklyn, NY 11211 USA